In both Elantris and Mistborn: The Final Empire you pointedly made an effort to defy certain age-old, fantasy clichés. What formulaic story elements did you try to redefine or avoid in the second volume of the Mistborn trilogy?
In The Well of Ascension I focused on the concept of prophecy. So many fantasy stories involve the idea of an ancient, infallible, and comprehensible prophesy which guides the actions of the characters. In The Well of Ascension I wanted to show the dangers of relying only on prophecy to provide a guide for your life. I also wanted to turn on its head my own concept of optimism. Many fantasies, including Elantris , show that If you are just determined enough you will succeed. I wanted to deal with what happens if you believe in yourself and things go wrong anyway.
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