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Interview #892: AMOL Book Tour - Skokie Q&A, Entry #15

Question

When you first read Robert Jordan’s ending, did you have a clear-cut idea of what you wanted to do with the series, or did it develop over time?

Brandon Sanderson

Excellent question, and the answer is it developed over time. Specifically, after I read that ending, I started to reread the whole series—the first time I’d read the series knowing I was going to be part of the series which…you have to approach it very differently, knowing you’re going to be a part of it. And I took all of those notes, and I reread the series, and I built an outline using Robert Jordan’s scenes as touchstones. A lot of times when you’re building an outline—even Robert Jordan who was more of a discovery writer, I heard from Harriet did it this way—you kind of plan your book like you would plan a road trip, where you know you’re starting in D.C. and you’re going to end in San Diego, and outlining for me is putting in between them all the road markers of places you’re going to go, and so I laid down this map where I said, “Okay, here’s a scene he wrote; let’s go there. Here’s another scene he wrote; then we’ll go there. Here is another scene…” and I used those as my touchstones to get me across this map toward the ending.

And I then had places where there were gaps, where I didn’t know what happened in between, and that’s where I would fill it out. “This is what I’m going to do here…” And I actually did a lot of that with Harriet and Maria and Alan in Charleston where we sat down, and I actually got big sheets of butcher paper—because I can be a visual thinker at times—and I would start with a character and start writing down where I thought they should go, and pitch different things to them. And I usually had a couple of different ideas, and they’d say, “Oh, this feels right; this doesn’t feel right,” that sort of thing. And together, we hashed that all out for all three books, because they were one book in our head then. One very long book, but one book. [laughter] And I then took those sheets of butcher’s paper and typed it all out into a big, massive outline, which then I used across the next five years, working on the books, as my data post, and I used that to point me toward that ending. And that’s where it came from.

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