How did this prepare you to write The Stormlight Archive series?
There’s actually a good story there because Way of Kings , the first Stormlight Archive, was the book I was writing when I first sold Elantris . Elantris was my first published, but it wasn’t my first written. It was my sixth novel. It was the first one that was actually somewhat decent. But I was writing number thirteen when I got the offer on it. You’ll find that’s very common among authors—it doesn’t happen to all of us, but a lot of us, we write for a long time, until we get it done—and I had just finished Way of Kings , and it was not right yet. In fact, when I sold Elantris , TOR wanted to buy two books from me, and my editor asked, you know—”Send me what you’re working on right now.” And I sent him Way of Kings , and he said “Wow, this is awesome, but number one, it’s enormous! I’m not sure we can publish this, at least in one volume from a new author.” Later on I was able to convince them that it should be one volume. But that’s when I had a little more clout, and they could print more copies which drives the prices down for printing them. But also, it just wasn’t right yet; the book was not right. And I said to my editor, “I’m okay with not publishing it now, because I don’t know what’s wrong with it.” As a writer I think it was just too ambitious for me at the time, I just couldn’t do it yet. And it wasn’t until I’d written Gathering Storm in its entirety that I started to figure out what I’d been doing wrong.
It was actually managing viewpoints, was one of the things. During the reread of Robert Jordan’s entire series I noticed how he gathered the viewpoints together. When you start writing a big epic fantasy series, and you feel like, “Well, they have so many characters, I want to start with that.” And the reason on the draft of Way of Kings , I started with—all over the world, I had all these viewpoints and things like this, and the book was kind of a train wreck because of it. Where, if you read Eye of the World , Robert Jordan starts with them all together, and then slowly builds complexity, and even the later books he’s grouping the characters together so even if they have individual story lines going on they’re in the same place so they can interact with each other and there’s clusters of them in different places.
And that was one thing. Working on The Gathering Storm I’ve learned how to make my characters…also how to use viewpoint the way he did, how to manage subtlety—he was so subtle with a lot of his writing—and some of these things, it all started to click in my head. And I actually I called my agent and said, “I need to do Way of Kings RIGHT NOW,” and he’s like “Are you sure? Because you kind of have a lot on your plate.” And I’m like, “I need to do it; it’s going to be fast, because I know how to do it now.” And so I actually took time off between Gathering Storm and Towers of Midnight and re-wrote Way of Kings from scratch. Took me about six months, which is amazingly fast for a book of that length. And then I showed it to my editor, and it was right this time. And it’s hard to explain many of the specifics. It’s just, you know…it’s like how do you know you can lift this weight after you’ve been lifting these other weights? When you’ve worked hard enough, that you’ve gained the muscle mass to do it. And lifting…writing the Wheel of Time was heavy lifting. And that’s how it happened. I do apologize the sequel is taking so long, but after that deviation to the first one, which I could do very quickly, I couldn’t stop to write the second one after Towers of Midnight because the second one would take too long, and delay the last book too long. And so, I am getting back to the Stormlight now—I am working on the second book—but I had other obligations first that were very important, and they’re why you’re here, so… [laughter]
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