You released Warbreaker by installments on the Internet.
Yes, I did.
The 21st century equivalent of Charles Dickens’ serial publications, except yours were free. Later you edited these chapters, releasing documents comparing the drafts so people can see the changes. What was this process like?
It did send my agent and editor into a bit of a panic. Fortunately I wasn’t very popular as a writer back then; well, not unpopular, but I didn’t have my current notoriety. I was doing all right; my books were selling fine; but I had not hit top gear as a fantasy writer yet. So me doing this did not send them into as much of a panic as it would have if I did that now. I still intend to do it again, but don’t tell them that. It was cool because it was something I hadn’t seen done before. The Web offers us the opportunity to do things like this. I thought I’d give it a try, and so I released it. They use the term crowdsourcing now; I was crowdsourcing my feedback.
Instead of using a writing group, which I normally do, I released it to the fans to see what their reaction was. That’s dangerous because, as a writer, you have to learn to read between the lines when people are giving feedback rather than doing everything everyone suggests you. If you do everything everyone suggests to you, your book will be schizophrenic; it’s going to go all over the place. Some people will want one thing from it; some people will want another. You just can’t write to fan demands, otherwise you won’t have a cohesive story. But it was fun to see the responses and, as a writer, if you can pick between the lines and see the legitimate problems and fix those in drafts, it can be a very big help and it can be fun. I think it did help, and it gave the fan base something.
One thing they don’t talk a lot about in New York but one thing that is absolutely true is that fantasy and science fiction readers are very tech savvy. Every person who buys one of my books could get that book for free if they wanted to. They know how to find it, even if it is not just the library: finding it online. Every one of them can pirate the books. There is nothing we can do to stop that; in fact we should stop jumping up and down about it as much we do. Anytime I want to check, it takes me thirty seconds online to find a free copy of one of my books. Every person who is buying one of my books is doing it because they want to support me as a writer. So I want to do things to give back to those readers, to say: ‘I acknowledge that you are doing this, you are supporting me. You’re not just reading, you’re supporting me as a writer.’
In a lot of ways it takes us back to this interesting image of Dickens, because during that era a lot of writers, in order to be an artist, would have a patron. That was how you became an artist in an earlier era. Now we are kind of moving back toward that model: the readers are our patrons; they choose to give us money. They don’t just read us, they choose to support us. So I try to do things like Warbreaker . The annotations of my books are another way I try to do this. I try to go chapter by chapter and write an annotation, an extra like a behind-the-scenes DVD commentary, if you will, on my books. And for anyone reading this interview, Warbreaker is still available for free on my website: the actual published version. DRM-free, just download it. And once you read it you can compare it to the first draft. I do this as a thank you to all the readers who support me in this.
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