And when you started to work on the book, did you have to really go back and study the Wheel of Time books? Even though you knew them so well.
Yeah. I had read Wheel of Time—I’d read the first book eight times, as I recall. And you know, I would re-read the series when a new one would come out often. And so, I had a good reading knowledge of the series, but that’s very different from writing it. And so, January to March of 2008, I re-read the entire series, taking notes as the writer. A very strange process, I’ll be honest, because half of me was reading this as a reader and a fan of the series. And as a reader and a fan—at least this is what I do—you have to extrapolate: “Oh, what if this happens? Oh, will this happen? Oh, could this happen?” There was the other half of my brain that was saying, “Wait a minute. You’re the writer now, Brandon. What if this happens? Well, you know what will happen, and if it wasn’t in the notes, you can decide if it’s appropriate for it to happen.” And so the two pieces of my brain were having a very interesting dialog, where the author side was saying, “That’s not appropriate to the story even though you really want it.” Or saying, “Oh yeah, we could do this.” And the fan and the author coming together and saying, “Yay, we can do this,” and then to allow for it, or there’s a scene where we could do this, or even sometimes, he actually said do this scene, so I could anticipate knowing it was coming when no one else could. A very, very odd experience, but a very wonderful experience at the same time.
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