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Interview #254: Robert Jordan’s Blog: THIS AND THAT, Entry #1

Robert Jordan

First off, thanks to NaClH2O and to Anonymous. I didn’t know that Pentangle had gone on beyond their first two albums. I remember walking down the corridor in my hooch in Nam and hearing music coming from a doorway that made me duck in and ask who it was. The next time I could get by the Air Force PX, I picked up Pentangle, and later the second album. After that, I heard nothing, so I suppose I simply assumed they had vanished like so many other musicians. They’re like writers, you know. I can’t recall the number of albums I’ve listened to with excitement, like the first novels I’ve read with excitement, only to never hear from the artist again. In any case, I’ll look up the early Pentangle stuff on CD and hope the others are as good as those first two. As for Anonymous nominating Fairport Convention as heavily influential on the music that followed, they just don’t make the cut. I heard Fairport Convention when they first came out, as well as later, and never thought I was listening to anything that was coming close to the envelope much less pushing it. When I heard those first few notes from Pentangle, they stopped me dead. I knew it then. Envelope? Forget the stinking envelope, gringo. These guys were so far beyond the envelope, the light from the envelope was a rapidly diminishing flicker in their wake, struggling hopelessly to catch up. Over the horizon? They were over the event horizon and out the other side. Today, maybe it wouldn’t sound so fresh, but the fact is, where rock ventures today, Pentangle was running for the sunrise better than thirty years ago. That’s why so often when I listen, I find myself thinking, been there, heard that, long time gone.

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