To Science Fiction and Fantasy Fandom as a Whole
I have spent some time reading responses to the Hugo nominations, and wanted to reach out to you. I find it unfortunate that some of you, including prominent voices in fandom, are responding with anger or frustration about the Wheel of Time nomination. Some don’t like a series being nominated for the novel Hugo. Some don’t like WoT fandom reaching in and participating in the award. And others downright dislike the Wheel of Time as a work of art.
I would like to address some of these concerns that I see recurring in the discussions.
On the Wheel of Time Being Nominated as a Single Novel
On the first point, I wish to emphasize that the Hugo rules were intentionally designed to allow works like this to be nominated. Serials are such a part of our collective culture in sf fandom, and I promise you that the Wheel of Time is indeed a serial. It focuses on a single group of characters, a single plot and narrative, and the books each pick up exactly where the previous one left off. Yes, it took a long time to complete. Yes, it is large. However, Robert Jordan always considered—and spoke of—the Wheel of Time as a single story. The length of time it took to write that story is irrelevant as far as the Hugos are concerned.
A Game of Thrones season could be nominated collectively as a single entry into the dramatic presentation category. Connie Willis’s Blackout/All Clear could be nominated as a single work, though broken into two volumes. Indeed, this is similar to how Dragonflight and Ender’s Game could both garner short fiction nominations for their original forms, then be nominated for best novel in a later year once the story was expanded.
The Wheel of Time is eligible. These are your awards, however, and if this aspect of them is bothersome to you it’s quite possible to get this changed by participating in Worldcon and the Hugo Awards as a whole, making your voice known and advocating a revision. Your passion, therefore, should be directed at making that happen, rather than against the work that was nominated.
Attend Worldcon. Go to the WSFS Business Meeting. Blog about it. Bring your friends. We need people involved at this level of fandom.
On Wheel of Time Fandom
This brings us to the second two points, which I feel are the more important ones in most of these discussions. In regard to Wheel of Time fans participating, I want to tell wider fandom that I vouch for these fans. I offered words of caution to them above because I think they need reminders as they are new to core sf/f fandom, but I feel that you need to know that Wheel of Time fans are our people.
They have organized much as the fans back in the 1930s did, holding conventions and starting fanzines/websites. They attend Worldcons and their local literary conventions, though many of them have only started doing so in the last four or five years as they’ve realized the richness and scope of established fandom.
I charge you: do not reject their enthusiasm. I spoke honestly with them, and I wish to speak honestly with you. I have yet to attend a Worldcon where someone—either on panels or at the parties—didn’t ask what could be done to bring new blood into our fannish community. For years, we have worried about what to do. Now, as fandoms like that dedicated to the Wheel of Time have begun to discover both Worldcon and the Hugos, I feel we stand at an important confluence.
Welcome the Wheel of Time fans into our community. Welcome the next group of fans in too. Give whatever it is they’re passionate about a try. You might like it, and if not, you’ll still probably like them.
On the Wheel of Time as Literature
I understand that you may not personally enjoy the Wheel of Time. There is nothing wrong with that—it is the nature of art that some will disdain what others love. However, as I’ve read bloggers and fannish personalities speaking of a Wheel of Time nomination, some have unfortunately called it “shameful” or “embarrassing.” Worse, some of them have attacked the fanbase, calling into question its intelligence for daring to nominate the Wheel of Time—in essence, for daring to have different taste from the blogger posting.
You can’t beg people to come and participate in fandom, then tell them not to vote on your awards because you don’t like their preference in books. Indeed, attacking the fans of a work rather than criticizing the work itself is crossing a very big, and important, line.
For many years, we in fandom have had to suffer these kinds of dismissive, hurtful, and destructive attitudes from those who attack us because we like science fiction. Do not side with the bullies. Do not hold your own opinion in such high regard that you dismiss all others.
It is not shameful to like the Wheel of Time. No more than it should be shameful to be the kid who read Dune in middle school while others snickered. We should never have to feel embarrassed for honestly expressing our taste in fiction. No more than we should have to feel embarrassed to be the one at work who attends an sf con, much to the amusement of your co-workers.
If you have said these kinds of things about the Wheel of Time or its fandom in the past few days, I challenge you to take a long, hard look at your tone and what you’re implying. Ask yourself if you really want to belong to a world where only one kind of opinion is valid, where only your taste is acceptable.
Because in my experience, these are the sorts of attitudes that science fiction and fantasy fiction have spent their history combatting. So if you don’t think the Wheel of Time should win, vote for something else. But while you’re doing it, be kind. Treat these fans the way you want to be treated as a fan—and as a human being.
Brandon Sanderson 4/21/2014
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