All right, so there’s this lady, she rules the people who came from over the sea, married a gambler—kind of a big deal. There’s this dude who appeared when a musical instrument was blown, perhaps the leader of them, perhaps the ancestor of this lady. And they had a conversation at the end. What might have happened in that conversation? What did they discuss?
So, a lot of people are very curious about this conversation, rightfully so. They had many interesting things to say to one another. And I didn’t put that on-screen on purpose because I think that there are . . . Number one, I feel like it was the wrong place, narrative-wise, to have a break for something like that. And it’s also one of these things that I feel is going to work better in your mind than it might have worked on the page because there are so many places that conversation could have gone, that locking it down into to one of them would not have . . . I don’t think would have fully accomplished what we needed to accomplish there.
Beyond that, the conversation that they have would be directly tied to the sequel series, which is not going to be written. And, you know, I feel that if Robert Jordan were still with us and were going to write that sequel series, that scene would have appeared. He would have had them talk, because that would be important then for character motivation, or at least would have been referenced in the sequel trilogy. But since we’re not doing the sequel trilogy, doing that makes promises, also, that you’re not going to get fulfilled as a reader. And so, leaving that off-screen, I felt, was very much the right move.
That said, a lot of people make the assumption that Artur Hawkwing would be—and I’m not sure why they make this assumption, but I do get this from people—that he would be upset, that he would quote/unquote set her straight, or things like that. I think the conversation would have gone in a very different direction. In a, “You’re doing a good job. There are certain things that I would suggest to you, but you need to conquer the work. That’s what your job would be. And here’s some advice on going about it.” Rather than a setting her straight, I think personally he would be proud of her. Granted, you know, now that he has all of his memories back, and he’s no longer under the dark influence that he was under during certain parts of his recent mortal existence, he will not be the exact same person he was back then. But he still is a conqueror, and that’s part of who his make-up is. And so, just keep that in mind as you imagine that scene however you want it to go. And I am still adamant about the fact that I think he would not like Aes Sedai even without the influence upon him. They are not his . . . yeah, he would not want to be involved with them.
This is a follow-up to that. We have a certain tall red-headed lady who goes through a magical object that shows what the future is. Does that future take into account the conversation that would have been had between the leader and her ancestor? Or is that something outside of the overall scheme of the world, and therefore would not have been taken into account in the future that was presented in that magical object?
So the future that was presented is—I think people are clear about the idea that this is a possible future. And that is not . . . You know, some of the things that we get as glimpses of the future in the Wheel of Time are set in stone, and some of them are not. And this is one that is not. And so that conversation could have been part of that, but could also not have been part of that.
If you are viewing this on github.io, you can see that this site is open source. Please do not try to improve this page. It is auto-generated by a python script. If you have suggestions for improvements, please start a discussion on the github repo or the Discord.