Date: 2013-08-09
Type: Verbatim
Location: San Diego, CA
While at San Diego Comic-Con, Kindle sat down with Brandon Sanderson to discuss his new YA book, what it’s like to follow in Robert Jordan’s footsteps, and the upcoming sequel to The Way of Kings. How does he manage to write so many books? Read on to find out.
You’ve been described as “insanely prolific,” and with all of your recent releases that’s an apt descriptor. How do you find the time to write so much, and more importantly, how do you keep the stories and characters fresh?
I will write something big, like one of the Wheel of Time books or Words of Radiance, and once I’m done with it I’ll need a break. But the thing I find most fun in the world is writing—I don’t want to go do something else, I want to write something—but I want to write something I don’t have to write. So a lot of these side projects you’re seeing—this is where The Rithmatist and Steelheart came from—are from me taking a break from the big epics to do something a little different, to have a change of pace.
Steelheart is intended for a younger audience. If and how does this affect your writing process?
For teens the main thing I change is, I tend to focus on one character or two characters instead of a very large cast. And I make the pacing a bit faster.
The characters in Steelheart are reminiscent of superheroes. What made you go this route? It’s a new diretion for you.
This is all just part of the collective unconscious of pop and nerd culture that I’m a part of, that I grew up with. Certain things fascinate me that I just couldn’t do in an epic fantasy in the same way. At the same time I don’t want people to look at Steelheart and say, “Oh, this is a superhero book.” I wrote it as an action adventure story and it certainly is taking from some of those themes, but the idea is, what if people really started gaining superpowers, what would happen? My immediate thought was, people would abuse them. It would be awful. What would we do if there was someone who was so powerful we couldn’t throw them in prison, we couldn’t punish them? So the story of there being no heroes, of there only being villains is what inspired me.
Why steel? What about it was so attractive that you wanted to create a world around it?
I wanted to turn a city to steel. I liked the image. I’m always looking for interesting visuals for my books. I liked this idea of everything having been turned to steel to the point that nothing works anymore. Then I liked this idea of catacombs burrowed into the steel underneath the city for the lower folk to live in. It’s a little bit cyberpunk—that whole concept of the steel underground. Then of course there’s steel as a metaphor for superheroes.
What else will readers find in Steelheart that they haven’t seen from you before?
It is my first really futuristic novel—it’s a little more sci-fi. Of course there are fantasy elements—you would call the superheroes more fantasy. People ask me a lot, Are you going to write science fiction? This is the closest I’ve come.
Going back to characters: Stormlight Archive is very character driven—each book essentially focuses on one character. Who will we learn more about in Words of Radiance?
In the second book Shallan becomes the focus, though I would honestly say there is as much Kaladin in in the second book as there is in the first book. In the first book the things Shallan was doing were important and fun, but at the same time her plot line was intentionally disjointed because I was setting up what’s happening in this book.
Of course it wouldn’t be an interview without asking about Wheel of Time. How has that experience informed the storytelling you’ve done since?
Watching how the community interacted with Wheel of Time was eye-opening. There are a lot of book series out there that sell a lot of copies, and yet they have not inspired the fan base and the devotion Wheel of Time has. I would rather have that than the thrillers that sell three times as many copies, and yet people read them and throw them away. They don’t throw conventions, they don’t have these deep discussions. What was it that Robert Jordan did that did this to all of us? That I’ve thought about a lot.
Writing specifically, juggling multiple viewpoints has become easier for me since I was forced to lift heavy weights. I had to jump into a series where I had to juggle two dozen viewpoints instead of the three or four I was used to.
What was your biggest hesitation?
What if I screw this up? I would be known as the one who ruined the Wheel of Time, which would be awful for me as a fan of the series. That was a real thing, me thinking there was no way I could win at this, that I couldn’t do it as well as Robert Jordan would—nobody can. They came to me because I was a fan who became a published writer. Going to someone who was not a fan but was a writer who specialized in writing other people’s property, I worried it would just be another job to them. Knowing it was in the hands of someone who cares… That’s what made me say yes.
If you are viewing this on github.io, you can see that this site is open source. Please do not try to improve this page. It is auto-generated by a python script. If you have suggestions for improvements, please start a discussion on the github repo or the Discord.