What’s the hardest thing about writing a sequel?
Here’s something about the way I work. New projects excite me. In fact, I’m often dangling the new project in front of myself as incentive to finish my current project, saying, “When you get this book done, and it’s done right and it’s awesome, you get to go do something new.” It’s part of what I like about my job, always being able to do something new. It keeps me productive as a writer.
The hardest part about doing a sequel is this: yes, it’s new, but it’s also familiar, and there’s a part of me that says, “I don’t want to do that. I want to do something completely different.” However, it’s important to have the discipline to say, “No, you promised your readers that you were going to finish this!” Beyond that, there are certain themes, characters, and stories that you can only explore by doing something that’s more long-form, like a series. As a reader, I prefer to read series, but as a writer sometimes it’s hard to make myself do the familiar instead of something brand-new.
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